Women in the Arts: Galvanizing, Encouraging, Inspiring
![Cover of NEA Arts No 1 2018](/sites/default/files/styles/portrait/public/nea_arts/NEA%20Arts%20No1%202018-1cover.jpg?itok=Je3Sr98W)
2018 NEA Jazz Master Dianne Reeves performing with Sherrie Maricle and the Diva Jazz Orchestra during the 2017 NEA Jazz Masters Tribute Concert at the Kennedy Center in Washington, DC. Photo by Shannon Finney
About this Issue
By Chairman Jane Chu
There has not been a standard roadmap to follow when it comes to making a living in the arts. For women, it has been more difficult—for women of color, even more so. It isn’t that there has been a dearth of women artists: In the 1930s, Florence Price was the first African-American woman to have her composition performed by a major orchestra. Amy Beach was a prolific composer in the late 1800s, although her compositions were only published under her married name, “Mrs. H.H.A. Beach.” These examples are representative of the challenges of being publicly acknowledged as a woman artist.
Still, less than 25 percent of produced plays are written by women. Women artists make up only three to five percent of major art museum collections in the U.S. and Europe. In films, female characters receive about half the screen time and dialogue as male characters. And a recent Grantmakers in the Arts study found that though there are more women in arts management, “men predominantly held upper-management positions and earned significantly higher salaries than women.”
We focused this issue on women in the arts to give voice to the barriers they continue to face, and where there are reasons for hope. We are galvanized by the roles Diane Rodriguez has written for Latina actresses and by Wendy Red Star’s empowerment of Native women in her artwork. We are encouraged by Susan Fisher Sterling’s visionary leadership at the National Museum of Women in the Arts and how Brenda Laurel refused to believe that video games were of no interest to girls. We are inspired by the ways choreographer Bebe Miller has celebrated the “awkward grace” of the body through dance and by how 2018 NEA Jazz Master Dianne Reeves has followed in the footsteps of the giants who preceded her, like Betty Carter, Ella Fitzgerald, and Sarah Vaughan.
As we celebrate the accomplishments and impact of these women, we hope you’ll feel equally galvanized, encouraged, and inspired.
Included in this Issue
![Portrait of woman.](/sites/default/files/styles/card_square/public/Portrait%204bsmall.jpg?h=52605a11&itok=viE2Dw6g)
![Portrait of a woman wearing glasses.](/sites/default/files/styles/card_square/public/BrendaLaurelsmall.jpg?h=52605a11&itok=D5cU9thl)
![Woman in Native outfit sitting in front of a plains background with a cow skull next to her and an inflatable elk behind her.](/sites/default/files/styles/card_square/public/fall_press_CMYK.jpg?h=52605a11&itok=1e-OK6Oj)
![African-American woman wearing black furry dress.](/sites/default/files/styles/card_square/public/DianneReevessmall.jpg?h=52605a11&itok=MV71X3Sp)
![An African-American woman searing a sleeveless black shirt dancing with her eyes closed.](/sites/default/files/styles/card_square/public/Bebe%20Millersmall.jpg?h=38e6a90f&itok=LibfZYne)
![Woman wearing a black suit with large red brooch standing next to a white sculpture.](/sites/default/files/styles/card_square/public/SusanFisherSterlingsmaller.jpg?h=52605a11&itok=YET5CQuK)
![Woman holding out her hands full of ink.](/sites/default/files/styles/card_square/public/Figure%201%20%20Emily%20Pilloton%20Founder%20and%20Executive%20Director%20of%20Project%20H%20Design%20and%20Girls%20Garage.jpg?h=726abdea&itok=JbWQzt5V)
![Collage of two African American women in portrait.](/sites/default/files/styles/card_square/public/Collage.png?h=05185b4b&itok=Eg_VQswz)
![quotes by poets Rita Dove and Tracy K Smith](/sites/default/files/styles/card_square/public/RitaDTracyKS_1.jpg?h=52605a11&itok=cehSbBQ0)