Fill out and submit to NEA-GO the NEA Grant Application Form and Upload Items
You will use the NEA GrantsOnline™ System (NEA-GO), which is being administered for the NEA by the Western States Arts Federation (WESTAF). This will proceed as follows:
You will complete the Grants.gov SF-424 process by the deadline of record as detailed in Step 1.
Log in to Grants.gov. On the left of the screen under Applicant Actions, click on Check My Application Status. Click the Search button, and all of your submitted applications will appear. In the column for Agency Tracking # and Notes, click on the number. There you will see information about how to access NEA-GO. There will be a notes box with a link to NEA-GO and information about when it will be open. Your User Name for NEA-GO will be your Grants.gov Tracking Number and your Agency Tracking #/NEA Application Number will be your password. You can begin accessing this information on Grants.gov 1-2 business days after you submit your SF-424, but no earlier than 10 days before the application deadline.
If you apply to the February 20, 2014, application deadline (all disciplines except Design):
NEA-GO will be open for you to submit application material and work samples beginning on March 6, 2014. You will have until 11:59 p.m., Eastern Time, on March 20, 2014, to upload, preview/check, and submit your application material and work samples electronically.
If you apply to the July 24, 2014, application deadline (all disciplines except Artist Communities):
NEA-GO will be open for you to submit application material and work samples beginning on August 7, 2014. You will have until 11:59 p.m., Eastern Time, on August 21, 2014, to upload, preview/check, and submit your application material and work samples electronically.
For specific help on how to complete your application, please review the instructions in these guidelines including the Frequently Asked Questions, or contact the discipline staff that is appropriate to your project (see "Agency Contacts").
Grant Application Form
The Grant Application Form and the information that it collects can be seen here. You will not have access to the Grant Application Form until NEA-GO opens for you to submit your application material (March 6, 2014 for the February 20, 2014 deadline; August 7, 2014 for the July 24, 2014 deadline).
You will submit a substantial part of your application through the Grant Application Form, including:
Answers to narrative questions about your organization and project.
Financial information about your organization and project.
Bios of key individuals.
You should prepare your responses and material well in advance of the deadline and have them fully ready to upload once NEA-GO opens for you. The version of the form that you can link to now will let you know what is required and any specifications about your material (e.g., character limits for narrative responses).
See the instructions below for the following items (instructions for narrative and financial information are provided on the form itself).
Part 1. Organizational Information
Provide the requested information for your organization for the most recently completed fiscal year, the previous fiscal year, and two years prior. If you are a parent organization, provide this information for the independent component on whose behalf you are applying (e.g., for a university project, provide the information for the independent component, not the entire university). For independent components, you may use the space to discuss the fiscal health of your organization to explain the relationship that the independent component has with the larger entity (e.g., "museum guards and utilities paid for by university"). If your organization is a smaller entity that exists within a larger organization (such as literary organization housed at a college or university), submit information for the smaller entity and follow the instructions for parent organizations and independent components.
This is intended to show your organization's fiscal activity as it relates to operations. Do not include activity related to a capital campaign (such as raising money for a new facility, an endowment fund, or a cash reserve fund). The Arts Endowment may request additional information to clarify an organization's financial position.
Use the following definitions when completing this form. Unaudited figures are acceptable.
Earned: Revenues that are received through the sale of goods, services performed, or from investments. Examples: ticket sales, subscription revenue, contractual fees, interest income.
Contributed: Gifts that are received which are available to support operations. Examples: annual fund donations, grants for general operating or project support, in-kind contributions.
Artistic Salaries: Costs that are directly related to the creation, production, and presentation of art work. Examples: fees for dancers, choreographers, actors, curators, artistic directors, contributors to literary publications. Include arts personnel that are on your staff as well as those that are paid on a contract or fee basis.
Production/exhibition/service expenses: All program or service delivery costs, excluding artistic salaries and fees that are listed above. Examples: presentation costs; costs of sets, costumes, and lighting; publication costs of catalogues or literary magazines.
Administrative expenses: All other costs that are incurred during the normal course of business. Examples: outside professional non-artistic services, space rental, travel, marketing, administrative salaries, utilities, insurance, postage.
NOTE: The figures are subject to verification by the Arts Endowment.
NEA Office/Discipline: Choose the one discipline that is most relevant to your project. This selection will aid the Arts Endowment's application review. If you have questions, refer to "Agency Contacts."
If you are proposing a pre-K through 12 curriculum-based project that aligns with either national or state arts education standards, choose Arts Education. If you choose Arts Education, a second Project Field/Discipline menu will appear. From that menu, select the discipline that is most relevant to your project.
For other education projects, or if you are not proposing a pre-K through 12 curriculum-based project that aligns with either national or state arts education standards, select the relevant field/discipline below:
- Artist Communities
- Dance (including dance presentation)
- Design (including architecture, communications and graphic design, fashion design, historic preservation, industrial and product design, interior design, landscape architecture, planning, universal design, rural design, and urban design)
- Folk & Traditional Arts (including folk & traditional arts projects in any art form)
- Local Arts Agencies (including projects in any discipline that are submitted by a local arts agency or LAA. Local arts agencies generally are referred to as arts councils, departments of cultural affairs, or arts commissions. LAAs can be private entities or public municipal, county, or regional agencies that operate in cooperation with mayors and city managers. Local arts agencies generally make grant awards directly to both artists and arts organizations, present programming to the public, manage cultural facilities, provide services to artists and arts organizations, and facilitate community cultural planning. Statewide assemblies and cultural service organizations that work specifically with local arts agencies also are eligible, but only for projects that will predominantly serve local arts agencies.)
- Media Arts
- Museums (including projects in any discipline that are submitted by a museum)
- Music (including music presentation)
- Opera (including opera presentation)
- Presenting & Multidisciplinary Works (projects that involve multiple arts disciplines including multidisciplinary arts presenting and other types of multidisciplinary activities)
- Theater & Musical Theater (including theater and musical theater presentation)
- Visual Arts
Choose your field/discipline carefully. In limited cases, Arts Endowment staff may transfer an application to a field/discipline other than the one that was selected by the applicant to ensure appropriate panel review.
Part 3: Project Budget:
NOTE: Organizations may not receive more than one Arts Endowment grant for the same expenses. This budget cannot include project costs that are supported by any other federal funds or their match.
Your Project Budget should reflect only those costs that will be incurred during the "Period of Support" that you have indicated for your project. Any costs incurred before or after those dates will be removed. Round all numbers to the nearest $100.
Combine like costs if necessary to make rounding more realistic. Applicants whose grants are recommended for less than the amount that is requested may be asked to revise the project budget.
AMOUNT REQUESTED FROM THE ARTS ENDOWMENT: For Challenge America Fast-Track, all grants are for $10,000. For Art Works, grants will generally range from $10,000 to $100,000. Do not request an amount below $10,000. Be realistic in your request.
TOTAL MATCH FOR THIS PROJECT: The Arts Endowment requires each applicant to obtain at least half the total cost of each project from nonfederal sources. For example, if you receive a $10,000 grant, your total project costs must be at least $20,000 and you must provide at least $10,000 toward the project from nonfederal sources. Matches of more than dollar for dollar are encouraged. These matching funds may be all cash or a combination of cash and in-kind contributions as detailed below. Be as specific as possible. For projects that include additional partners, indicate on the form the portion of the match that is being contributed by each participant. Asterisk (*) those funds that are committed or secured.
Cash match refers to the cash donations (including items or services that are provided by the applicant organization), grants, and revenues that are expected or received for this project. Do not include any Arts Endowment or other federal grants that are anticipated or received. Identify sources. The Arts Endowment allows the use of unrecovered indirect costs as part of the cash match or cost sharing. Your organization must have a federal negotiated indirect cost rate agreement to include unrecovered indirect costs.
In-kind: Donated space, supplies, volunteer services are goods and services that are donated by individuals or organizations other than the applicant (third-party). To qualify as matching resources, these same items also must be listed in the project budget as direct costs. The dollar value of these non-cash donations should be calculated at their verifiable fair-market value. Identify sources. Reminder: Proper documentation must be maintained for all items noted as "in-kind."
TOTAL PROJECT INCOME is the total of "1. Amount requested from the Arts Endowment" and 2. Total match for this project."
DIRECT COSTS are those that are identified specifically with the project. Be as specific as possible (e.g., show costs that relate to festival programming if your project is for a festival). For projects that include additional partners, indicate on the form the portion attributed to each participant.
DIRECT COSTS: Salaries and wages cover compensation for personnel, administrative and artistic, who are paid on a salary basis. (Funds for contractual personnel and compensation for artists who are paid on a fee basis should be included in "3. Other expenses" on Page 2 of the Project Budget form, and not here.) Indicate the title and/or type of personnel, the number of personnel, the annual or average salary range, and the percentage of time that will be devoted to the project annually. List key staff positions, and combine similar functions. Where appropriate, use ranges. If the costs for evaluation and assessment are part of staff salary and/or time, separately identify those costs.
Title and/or type of personnel
Number of personnel
Annual or average salary range
% of time devoted to this project
Executive Director (most of project)
$40,000 per yr.
Executive Director (evaluation only)
$40,000 per yr.
$20-25,000 per yr.
$15-20,000 per yr.
Salaries and wages for performers and related or supporting personnel must be estimated at rates no less than the prevailing minimum compensation as required by the Department of Labor Regulations. (See "Legal Requirements" for details.) Salaries and wages that are incurred in connection with fund raising are not allowable project expenses; do not include them in your budget.
Fringe benefits are those costs other than wages or salary that are attributable to an employee, as in the form of pension, insurance, vacation and sick leave, etc. They may be included here only if they are not included as indirect costs.
DIRECT COSTS: Travel must be estimated according to the applicant's established travel practice, providing that the travel cost is reasonable and does not exceed the cost of air coach accommodations. Include subsistence costs (e.g., hotels, meals) as part of the "Amount" listed for each trip, as appropriate. Foreign travel, if any is intended, must be specified in this section and must conform with government regulations, including those of the U.S. Treasury Department Office of Foreign Asset Control. If Arts Endowment funds are used for foreign travel, such travel must be booked on a U.S. air-carrier when this service is available.
DIRECT COSTS: Other expenses include consultant and artist fees, contractual services, promotion, acquisition fees, rights, evaluation and assessment fees, access accommodations (e.g., audio description, sign-language interpretation, closed or open captioning, large-print brochures/labeling), telephone, photocopying, postage, supplies and materials, publication, distribution, translation, transportation of items other than personnel, rental of space or equipment, and other project-specific costs. List artist compensation here if artists are paid on a fee basis.
Television broadcast projects and educational/interpretive videos must be closed or open captioned. Applicants should check with captioning organizations for an estimate.
If you intend to purchase any equipment that costs $5,000 or more per item and that has an estimated useful life of more than one year, you must identify that item here. Provide a justification for this expenditure either in this section of the Project Budget form or in your Details of the Project narrative.
Group similar items together on a single line, with only one total cost. List consultant and artist fees or contracts for professional services on consecutive lines; do not scatter them throughout the list. Specify the number of persons and the applicable fee, rate, or amount of each. For other types of line items, provide details of what is included in each item. See the “Administration” example below.
Artists (5 @ $300-500 per week/30 weeks)
Consultants (2 @ $150 per 1/2 day/1 day per mo./10 mos.)
Access accommodations (sign-language interpretation and audio description)
Administration (rent -- $4,500, telephone -- $300, copying -- $200)
Do not include fund raising, entertainment or hospitality activities, concessions (e.g., food, T-shirts), fines and penalties, bad debt costs, deficit reduction, cash reserves or endowments, lobbying, marketing expenses that are not directly related to the project, audit costs that are not directly related to an A-133 audit, contingencies, miscellaneous, land purchase costs, construction, or costs incurred before the beginning of the official period of support.
TOTAL DIRECT COSTS is the total of all direct cost items listed in "1. Salaries and wages" (from Page 1 of the Project Budget form), "2. Travel," and "3. Other expenses."
INDIRECT COSTS are overhead or administrative expenses that are not readily identifiable with a specific project. (The costs of operating and maintaining facilities and equipment, depreciation or use allowances, and administrative salaries and supplies are typical examples of indirect costs.) Indirect costs are prorated or charged to a project through a rate negotiated with the Arts Endowment or another federal agency. NOTE: Colleges and universities may not apply a "research" indirect cost rate to Arts Endowment grants. If you do not have or intend to negotiate an indirect cost rate, leave this section blank. You may claim administrative costs or overhead as direct costs under "3. Other expenses." If you have a negotiated rate and would like to include indirect costs, complete the information requested in this section. For additional information, see "Indirect Cost Guide for NEA Grantees."
TOTAL PROJECT COSTS is the total of "4. Total direct costs," and, if applicable, "5. Indirect costs." NOTE: "3. Total project income" (from Page 1 of the Project Budget form) must equal the "Total project costs." Your project budget should not equal your organization's entire operating budget.
Items to Upload
There are four types of required items:
4. Work samples
You will access NEA-GO for detailed instructions and to upload your items. You should prepare your items well in advance of the deadline and have them fully ready to upload once NEA-GO becomes available to you.
Below are the required items to uploads to NEA-GO. These are a critical part of your application and are considered carefully during application review.
Submit a representative list of your Programmatic Activities for the past three years.
This list should demonstrate eligibility (i.e., your organization's three-year history of programming) and your ability to carry out the proposed project based on the artistic excellence and merit of your previous activities. For the purpose of defining eligibility, "three-year history" refers to when an organization began its programming and not when it incorporated or received nonprofit, tax-exempt status. Please include the appropriate measurement data (i.e. ratings, % capacity filled, # of unique visitors, # of times streamed, etc.) for each listing.
For media art production and distribution projects, including existing series (projects under the July deadline), please submit a complete resume for the person(s) with primary artistic responsibility for the project including previous production credits. If the project requires a technologist or digital developer in addition to the primary artist, please include them as part of your key personnel. Projects sponsored by a fiscal sponsor are not eligible for NEA support.
For existing projects or series (projects under the July deadline), submit a representative list of elements/programs for the following years: 2011, 2012, and 2013. You may submit up to three pages per year.
Please submit a list, in chronological order, of your organization's art productions for the following years: 2011, 2012, and 2013. You may submit up to three pages. Please use the following format:
Date/Name of project/Project creative lead/Brief Summary (one to two sentences on the work)/Ratings (broadcast), # of attendees/venue capacity and % filled of venue (theatrical or exhibition), # of views (web), # of players (games)/# of downloads/# of purchases/additional web analytics
For production facilities (projects under the February deadline), submit a list of participating artists, including titles, for the following years: 2011, 2012, and 2013. You may submit up to three pages.
For media festivals (projects under the February deadline), please submit a list, in chronological order, of your organization’s programming for the following years: 2011, 2012, and 2013. You may submit up to two pages for each year. Please use the following format:
Date/Title/Artist Name(s)/Country of Origin(s) /#of attendees/venue capacity and % filled of venue
For media exhibition projects, including tours (projects under the February deadline), submit a list, in chronological order, of your organization's programming for the following years: 2011, 2012, and 2013. You may submit up to three pages for each year. Please use the following format:
Date/Title/Director's Name/Country of Origin/tour locations (if appropriate)/# of attendees/venue capacity and % filled of venue
For preservation, restoration, and archive projects (projects under the July deadline), submit a list of works preserved, restored, or archived in chronological order, for the following years: 2011, 2012, and 2013. You may submit up to three pages. Please use the following format:
Title/Director/Production Entity/Year Produced/Brief Summary (one to two sentences on the work)
For showcases, panels, workshops, conferences, and seminars (projects under the February deadline), submit a list of programs, in chronological order, for the following years: 2011, 2012, and 2013. You may submit up to three pages for each year. Please use the following format:
Date/Title of event/Instructor, Speaker or Panelist and brief identifiers/# of attendees/venue capacity and % filled of venue
For residencies (projects under the February deadline), submit a list of participating artists and titles of works produced for the following years: 2011, 2012, and 2013. You may submit up to three pages.
For publications (projects under the February deadline), submit a list of your organization's previous publications including author, title, and a one to two sentence description of the work for the following years: 2011, 2012, and 2013. You may submit up to three pages.
For periodicals (projects under the February deadline), submit a list, in chronological order, of the periodical's articles for the following years: 2011, 2012, and 2013. Please include the title and author. You may submit up to three pages for each year.
You must submit at least one statement of support that is directly related to the proposed project. Submit a maximum of three one-page statements of support that demonstrate commitment from any combination of key artists, organizations, or communities that you wish to highlight. Statements of support are used by reviewers to assess the level of commitment of project participants and the impact of project activities. Do not provide general statements of support for your organization. Each statement should include the name, affiliation, phone number, and e-mail address of the individual who provided it.
Submit a single PDF file that includes any items specified below that are relevant to your particular project.
For media art production projects (projects under the July deadline):
- For media art production and distribution projects (including existing series), provide a one-page explanation of the relationship between the key personnel for the proposed project and the applicant organization, if relevant. Submit no more than one page.
- For documentary, drama, and digital media projects, provide a one-page synopsis or treatment of the proposed project. If the project is based on copyrighted material (e.g., literary, musical, biographical), also provide a statement documenting the clearance of rights. Submit no more than one page.
- For game projects, provide a treatment and storyboard. Submit no more than one page.
- For all applicants:
Provide a plan for distribution including content via broadcast, satellite, the Internet, mobile phones and tablets (projects must be developed and made available for both iOS and Android devices), live streaming, screenings, audio- and video-on-demand, podcasts, MP3 files, game consoles or social networks used for games, or other media including all platforms for transmedia projects. Submit no more than one page.
On an additional page, describe any outreach, engagement, and promotion activities that are contemplated, including the preparation of educational material, screenings, or outreach/engagement partnerships. Please include any strategies for reaching specifically targeted populations beyond the general public. Please detail what strategies are to be used for promotion, including social media, and provide a timeline for the plan. For content that will be broadcast and/or available online, via mobile, tablets, game consoles, etc., estimate the size of the audience that will be reached and the rationale for that estimate. To the extent possible, estimate the total number of people that will be served through the combined distribution, marketing, and outreach/engagement components for the project.
For production facilities (projects under the February deadline), a description of the facility and available equipment, strategy for making artists aware of the facility, and highlights of recently produced projects. Submit no more than one page.
For film, video, digital arts, and other media festivals, workshops, residencies, conferences, seminars, panels, and showcases (projects under the February deadline), a list of the proposed activities and the names of potential participants as well as a one-page description of your selection process. Submit no more than two pages.
For exhibition projects (projects under the February deadline), a detailed list of your proposed exhibition program. Submit no more than two pages.
- For touring programs (projects under the February deadline), a list of committed and/or potential venues. Submit no more than one page. Please use the following format:
Name of venue/City/State/Country (If not the United States)
For publications/periodicals/catalogues (projects under the February deadline), as appropriate: a one-page list of proposed articles and committed writers; a one-page list of the projected sales/subscription figures and print runs/downloads; and your current payment to writers policy.
For distribution (projects under the July deadline), a description of the distribution plan including marketing strategies, criteria for media selection (if applicable), and an explanation of rights and revenues agreements with artists. Submit no more than two pages.
For media art preservation, restoration, and archive projects (projects under the July deadline), a description of the work(s) to be preserved, restored, or archived; the artistic significance, the physical condition, the methods of preservation; plans for scholarly and public access to the material and plans for promoting the work. Submit no more than two pages.
For projects that may be impacted by the National Environmental Policy Act and/or the National Historic Preservation Act (e.g., an arts festival in a park, the commissioning and installation of an outdoor sculpture or mural, or certain types of Livability projects), provide documentation that the project is in compliance. The Arts Endowment may conduct a review of your organization to ensure that it is in compliance.
These work samples should demonstrate the artistic excellence and artistic merit of your project.
Work samples are crucial for evaluating the quality of production projects.
You may submit up to three work samples including a work in progress, a trailer of the proposed project, a completed script for a dramatic narrative project, or a trailer or other promotional material from a previous year's event.
The panel generally will not review more than 10 minutes of any one sample. Submit pre-cued samples or indicate the exact counter number of the cue to give a fair indication of the quality of the work.
Samples should be recent, of high quality, and as relevant to the project as possible.
Audio, Video, Game, Mobile, and Tablet Application Samples
While a secure upload location will be made available to you through NEA-GO, we strongly encourage you to independently upload your media files to a secure online location of your choosing in advance of submitting your application. You will then submit links to website(s) where the audio or video samples reside, such as Blip.tv, Brightcove, Dailymotion, Google, GUBA, iFilm, IMEEM, JumpCut, Last.fm, Live Video, MetaCafe, MySpace, Revver, Sevenload, Spike TV, Tudou, Veoh, Vimeo, YouTube, or a Custom URL that links directly to a sample hosted on another site.
If a game sample or mobile/tablet application is submitted, send a link that shows where to obtain a review copy.
Submit a PDF with a link to the website. If you are including more than one website, submit no more than three and list them all on a single PDF. For each site, list the URLs for pages to be shown; include any necessary information on required plug-ins, passwords, or navigation paths. Include cue information to indicate the start of each selection. Do not submit links to sites that require work samples to be downloaded (e.g., Dropbox).
Please note: All work samples must be uploaded by the specified deadline. Once a work sample is submitted, the content may not be revised (including work that resides on an external website link).
Applicants are responsible for maintaining the consistency of and access to work samples throughout the application review process.
If you are proposing
- A media art production/distribution project, submit a sample of work by the person(s) with primary artistic control. If you are applying for production, post-production and/or distribution costs, also submit a trailer and if possible, a sample of a work in progress, rough or fine cut. If you are applying for a dramatic narrative project, also submit the completed script.
- For existing series, submit a video with excerpts or highlights of the series and a completed work from your most recent season.
- A festival, submit a copy of your most recent catalog, the festival trailer, and compilation reel of excerpts from your most recent event.
- A conference, showcase, panel, seminar or symposium project, submit a video of excerpts of up to three events that give an accurate sense of the proposed event and a program or agenda from up to three past events.
- A project for workshops, production facilities or residencies, submit samples of three works recently completed at your organization.
- A publication/periodical/catalogue, submit brief selections from the two most recent publications.
You will be able to upload items in the formats described below. There is a limit of 250 MB for all of your items combined.
Contact the Media Arts staff, email@example.com, if you are unable to provide links to websites for your samples.
We will accept the following types of items:
Documents (Programmatic Activities List, Statements of Support, Special Items, Screenplays, Publications, Periodicals, Catalogues)
Each file has a size limit of 5 MB and 12 pages, and must be submitted as a PDF file. Leave a margin of at least one inch at the top, bottom, and sides of all pages. Use only 8.5 x 11 inch size pages. Do not reduce type below 12 point font size. Within each PDF, number pages sequentially; place numbers on the bottom right hand corner of each page. Excess pages will be removed and not be reviewed.
If you have to scan material, please follow the guidance below:
- Scan images at a resolution of 300 dpi. Resolutions over 300 dpi will result in unnecessarily large files.
- Experiment with the JPEG quality settings. Saving the document as a "medium quality" or "low quality" JPEG will reduce the file size, and is not likely to reduce readability.
- When you have scanned the images, combine them into a single PDF file. Submit a single file for each document; do not submit a separate file for each scanned page.
Do not submit your organization's general website. Only submit a website that is an essential part of the project. Although websites are dynamic, the project site you submit at the time of application cannot substantially change after the deadline. Please contact the Media Arts staff, firstname.lastname@example.org, prior to making website changes during the review period.
Submit a PDF with a link to the website. If you are including more than one website, submit no more than three and list them all on a single PDF. For each site, list the URLs for pages to be shown; each URL must be written-out individually and NOT embedded as a hyperlink in descriptive text. Include any necessary information on required plug-ins, passwords, or navigation paths. Include cue information to indicate the start of each selection. The applicant is responsible for maintaining the consistency of and access to work samples throughout the application review process. Do not submit links to sites that require work samples to be downloaded (e.g., Dropbox).
Information About Uploaded Items
For each item that you upload, you will find a descriptive field into which you will enter the following information, as appropriate:
This title must not contain an apostrophe (if you use one your item will not upload). Title each item with a unique name.
- For your programmatic activities list, statements of support, and special items, simply state the type of item.
- For video/audio/digital image/website/document work samples, state the title of the work or organization represented by the work sample.
For your programmatic activities list, statements of support, and special items, simply state the type of item.
For video/audio/digital image/website/document work samples:
- Title of work (if different from first bullet).
- Platform (online, mobile, console, handhelds, social networks, radio, television, film).
- Date work completed.
- Running time of complete work.
- Principal production credit(s) for the work sample.
- Relationship of the work sample to the project for which you are requesting support
Applicants submitting multiple websites should include the relevant information from above with each website in the PDF. The descriptive field for the file should provide a brief overview of the group of websites as a whole.
If new information that significantly affects your application (including changes in artists or confirmed funding commitments) becomes available after your application is submitted, please send that information immediately to the specialist for the field/discipline of your project. Include your organization's name and application number on any such submission.